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Firmly rooted in womanist social theory and ancestral veneration, her work draws from indigenous traditions as seen throughout Africa and the Diaspora, to explore African and African-American history, memory, and ritual as an intentional push back against erasure. Her creative practice is community-based as her research and resulting bodies of work often draw from physical archives as she excavates the stories of African-American women-led resistance, spirituality, and power. Minniefield’s recent public works which include projection mapping and site-specific installation, insight dialogue around race, class, and power. Through interdisciplinary collaboration, she incorporates other art forms to virtually bridge the past to the present. Recent projects include the mounting of “Remembrance as Resistance” during the 2018 Symposium on Race and Reconciliation presented by her alma mater, Agnes Scott College, which opened with the removal of two Confederate monuments from campus grounds and closed with the work as backdrop for the closing talk by Alice Walker on art and activism. Minniefield’s work is featured in a number of public and private collections, and as a muralist, her walls can be seen throughout the City of Atlanta and beyond. She was honored by Mercedes Benz as a part of their Greatness Lives Here campaign. She and her recent mural in Brooklyn, depicting women who shaped the future, is featured in the 2020 US Census commercial. Minniefield serves as the Stuart A. Rose Library artist-in-residence at Emory through a collaboration with Flux Projects. She recently returned to the US from a COVID forced self-initiated artist residency in the Gambia where she studied the origins of the Ring Shout.